You Will Never Work Again in Hollywood Pdf
 Front encompass of the first edition (hardcover, Random House) | |
| Author | Julia Phillips |
|---|---|
| Country | United states |
| Language | English |
| Genre | Autobiography |
| Published | 1991 (Random Firm) |
| Pages | 573 |
| ISBN | 978-0-394-57574-two |
| OCLC | 21524019 |
| Dewey Decimal | 791.43/0232/092 B 20 |
| LC Class | PN1998.3.P47 A3 1990 |
Yous'll Never Swallow Tiffin in This Town Again is an autobiography by Julia Phillips, detailing her career equally a motion picture producer and disclosing the power games and debauchery of New Hollywood in the 1970s and 1980s. It was first published in 1991 and became an immediate cause célèbre and bestseller. The book was reissued in 2002 after the author'due south expiry.
Background [edit]
In partnership with her husband Michael, Julia Phillips was one of the most successful moving-picture show producers in Hollywood during the 1970s. Their second picture show, The Sting, grossed almost $160 million and won vii University Awards, making Julia the starting time adult female to win a Best Picture Oscar.[one] [two] Their third moving-picture show, Taxi Commuter, brought them a second Oscar nomination and won the Palme d'Or in 1976. In 1977 they co-produced their most financially successful motion picture, Steven Spielberg's $300 1000000-grossing Close Encounters of the Third Kind.
Still, Julia had long indulged in a self-subversive lifestyle of excessive drug consumption, and it had begun to affect her piece of work. François Truffaut, 1 of French cinema's most iconic directors and a star of Close Encounters (playing "Claude Lacombe", a French government scientist in charge of UFO-related activities in the United States), blamed her for that film'southward budget difficulties, and she was somewhen fired during post-production considering of her cocaine dependence.[iii] [4]
Phillips, by now divorced, spent the following years on a downwards screw which included, past her own account, spending $120,000 on cocaine,[two] [5] before entering therapy to recover from her addiction.[6] And so, in 1988, having been out of Hollywood for eleven years, she sold all her avails to produce The Crush,[6] about a child in a tough neighbourhood trying to teach verse to local gangs. It was a disquisitional and commercial disaster, grossing less than $5,000 at the box role,[7] and Phillips turned to penning her scathing memoir to escape her financial difficulties.[2] [viii]
Synopsis [edit]
The volume begins by briefly introducing the reader to Phillips in 1989, before rapidly travelling dorsum to her childhood in 1940s Brooklyn.[9] Information technology so covers her early life and first successes in the film industry: she and Michael earned $100,000 from their debut feature, Steelyard Blues, moved to Malibu, California, and had a daughter, Kate.[8] The about notorious capacity follow as Phillips enjoys her greatest career successes, maybe near infamously when she recalls the amalgam of drugs she was under the influence of on the nighttime she won her Oscar ("a diet pill, a small corporeality of coke, two joints, six halves of Valium, and a glass and a one-half of wine").[2] [8] [10] She also reveals the personal peccadillos and vices of the biggest Hollywood A-listers of the day, including Steven Spielberg, Martin Scorsese, Richard Dreyfuss, Goldie Hawn, and David Geffen. Many of these people were pivotal figures in the emergence of New Hollywood in the 1960s and '70s, but Phillips disparagingly refers to them as "a rogues' gallery of nerds".[6] [11] Afterwards episodes in her life, including freebasing, and her abusive relationship with a tearing drug aficionado which caused her to miss her own mother's funeral, are likewise discussed candidly.[8]
"No 1 ever claimed that [Phillips] had got Hollywood incorrect in her volume. In which instance, you have to give a footling more acceptance to the theory that Hollywood is prepared to permit the club be run by raving egotists, indictable rascals, desperate addicts of one affair or several others, betrayers, connivers, hypocrites, and foul-mouthed swine. So long equally they are guys."
David Thomson, The Independent, xiii Jan 2002.[12]
Most significant, from Phillips' own point of view, is her exposé of the "Boys' Social club" in the higher echelons of Hollywood, where she claimed it was her gender that led to her ultimate ostracism.[11] "If I had been a homo, they would have closed ranks around me", she said, referring to her drug addiction. "They hated the woman matter. And I wasn't fifty-fifty regarded every bit a adult female, I was a girl."[5] Writing near her in The Contained in 2002, flick critic David Thomson expressed Phillips' mental attitude every bit: "you lot [Hollywood] guys don't take women seriously; y'all like us around... [but] we aren't allowed to be players".[12] Those same few men, similar "Valley viper"[thirteen] Mike Ovitz who headed the Creative Artists Agency were, in her eyes, responsible for a qualitative refuse in standards and the increasing banality of movies since the 1970s.[iv] [14]
Reception [edit]
On its release most critics agreed that the book was both scandalous and career-ending. (Even with a quarter of the 1,000-page original manuscript excised,[eight] it took lawyers at Random House 14 months to approve it for publication.[ii] [6]) Lewis Cole, in The Nation, described information technology as existence "[non] written but spat out, a breakneck, formless functioning piece...propelled by spite and vanity".[15] Newsweek's review called information technology a "573-page fundamental scream",[16] while i Hollywood producer said it was "the longest suicide note in history".[6] In the 2003 documentary version of Easy Riders, Raging Bulls, based on Peter Biskind's 1998 anecdotal history of New Hollywood, Richard Dreyfuss recalled his initial fury at Phillips' revelations, earlier more circumspectly listening to "a piffling phonation within my caput [saying] 'Richard, Richard, the truth was so much worse'."[17] Despite Phillips' criticisms of Steven Spielberg in the volume, Spielberg nonetheless invited her to a 1997 screening of Close Encounters of the Third Kind as a way of "keeping his friends close and his enemies closer."[eighteen] Rapper Tupac Shakur misquotes the title of the book in a Vibe interview in 1996, stating briefly that it was one of the books he read recently. "You'll Never Work Over again in Hollywood, whatsoever that is that they're talking about, all the people that slept together." [nineteen]
After Phillips' death from cancer in 2002 the book was reissued in paperback past Faber and Faber,[20] and gained renewed attention. Tim Appelo wrote in his Salon.com tribute that information technology was "mordant, merciless, [and] outdid Capote in shrieking truth to decadent ability",[21] while David Thomson of The Independent praised it as "compulsive, hilarious amusement".[12] [ dead link ]
Commercially, Phillips' memoir became an enormous success. It chop-chop moved to the acme of the New York Times Non Fiction Best Seller list and stayed at No. 1 for thirteen weeks.[22] [23] Additionally, several prominent Los Angeles bookstore owners reported it to be the fastest-selling volume they had ever seen.[8] [xiii] But Phillips was excoriated by Hollywood, and her autobiography's publication cost her the take a chance to conform Anne Rice's Interview with a Vampire with David Geffen.[v] [viii] [24] Furthermore, in an example of life imitating fine art, pre-eminent Los Angeles restaurant Morton'southward fulfilled the book's titular prediction by declining her future patronage.[two] [5]
Shortly before her expiry, when asked if she had been likewise cruel in her writing, Phillips replied, "Nosotros all have our standards. People behaved in an ugly and despicable style towards me. I felt no constraints. Zippo I did in my book is as mean equally whatsoever of the people I wrote about."[2] [6] She was similarly unrepentant about her subsequent expatriation, saying, "I wasn't a pariah because I was a drug-addicted, alcoholic, rotten person and not a skillful mother. I was a pariah considering I hit them with a harsh, fluorescent light and rendered them as contemptible every bit they truly are."[two] [6]
References [edit]
- ^ "Oscar-winner Phillips dies". BBC. January 3, 2002.
- ^ a b c d e f g h Weinraub, Bernard (January 3, 2002). "Julia Phillips, 57, Producer Who Assailed Hollywood, Dies". The New York Times.
- ^ McBride, Joseph (1997). Steven Spielberg: A Biography . New York City: Simon & Schuster. pp. 528. ISBN978-0-684-81167-3.
- ^ a b Hodgman, George (March 22, 1991). "You lot'll Never Eat Lunch in This Town Again – Volume Review". Amusement Weekly.
- ^ a b c d Friedman, Roger (April 12, 1991). "Without Reservations". Entertainment Weekly (61).
- ^ a b c d e f 1000 Vallance, Tom (January five, 2002). "Julia Phillips – Obituaries, News". The Independent. Uk. Archived from the original on February iv, 2011. Retrieved September 19, 2017.
- ^ "The Beat (1988)". Yahoo! Movies. Archived from the original on March 6, 2007.
- ^ a b c d e f 1000 Wadler, Joyce (March 18, 1991). "A Hollywood Outcast Treats the Stars to An Acid-Dip Memoir". People mag. 35 (x).
- ^ Turner, Caroline (December 31, 2002). "Review: You'll Never Eat Tiffin in this Boondocks Again". M2 Best Books.
- ^ "Golden fever: Oscar night – and how to enjoy it". The Guardian. UK. March 17, 2000.
- ^ a b Benatar, Giselle (November 16, 1990). "'Lunch' Dish". Entertainment Weekly (40).
- ^ a b c Thomson, David (Jan 13, 2002). "Film Studies: Lunch volition never exist the same in that town again". The Independent. Britain. Archived from the original on June xiv, 2010.
- ^ a b Rohter, Larry (March 14, 1991). "Hollywood Memoir Tells All, And Many Don't Want to Hear". The New York Times.
- ^ Bach, Steven (March 17, 1991). "Hollywood Chainsaw Massacre". The New York Times.
- ^ Cole, Lewis (June 1991). "You lot'll Never Consume Lunch in this Boondocks Once again (book reviews)". The Nation.
- ^ Foote, Donna (March 25, 1991). "The Bad And Not So Beautiful". Newsweek.
- ^ Ansen, David (May eight, 2003). "That '70s Pic". Newsweek.
- ^ Dubner, Stephen J. "Steven the Skilful".
- ^ "Tupac Shakur: The Lost VIBE Interview (May '96)". Vibe.com.
- ^ You'll Never Eat Lunch in This Town Once again (Paperback). ASIN 0571216234.
- ^ Appelo, Tim (January 17, 2002). "Julia Phillips, queen of the dark". Salon.com. Archived from the original on October 27, 2008.
- ^ "Adult New York Times Best Seller Lists for April 7, 1991" (.pdf). Hawes Publications.
- ^ "Adult New York Times Best Seller Lists for June 23, 1991" (.pdf). Hawes Publications.
- ^ Jacobs, Alexandra (June 7, 1996). "Truth and Consequences". Amusement Weekly (330).
Source: https://en.wikipedia.org/wiki/You%27ll_Never_Eat_Lunch_in_This_Town_Again
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